《母亲 Мать》西瓜影音迅雷下载

admin 2015-07-13 02:53:50

导读:1926年上映的云播观看《母亲 Мать》出品的于整理收集编辑发布 截止今日2020-11-30,已有2人浏览并观看下载母亲 Мать类型高清视频盗版母亲 Мать版本,母亲 Мать观看哪里看,在哪看母亲 Мать在线视频,母亲 Мать未删减版,母亲 Мать集数百度云,母亲 Мать网址,腾讯母亲 Мать电脑版 抢先看,超清爱奇艺母亲 Мать提取码。欢迎把《母亲 Мать》网址推荐发送给西瓜影音,腾讯,爱奇艺,优酷,微信,微博的好友!谢谢!


导演: 伍瑟沃罗德·普多夫金
编剧: 玛克西姆·高尔基 / Nathan Zarkhi
主演: Vera Baranovskaya / Nikolai Batalov / Aleksandr Chistyakov / Anna Zemtsova / Ivan Koval-Samborsky / N. Vidonov
类型: 剧情
制片国家/地区: 苏联
语言: 无对白
上映日期: 1926-10-11
片长: 89 分钟(24 fps)
又名: Mother
IMDb链接: tt0017128
1926母亲的剧情简介······   This is one of the classic Soviet silent films. The story is about a family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike. The plot is similar to other Soviet films of the era but does focus more on the individual than some of Eisenstein's ... (展开全部)   This is one of the classic Soviet silent films. The story is about a family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike. The plot is similar to other Soviet films of the era but does focus more on the individual than some of Eisenstein's films. The mother and son do represent the collective but they are also strong characters on their own.
  The best part of the film is the editing. It is always sharp and quick. When there is action, the edits are fast and give the viewer a sense of chaos. The Soviets were masters of montage and this film is a prime example. The acting is also better than in most silent films. It is clear that the actors come from the serious stage and not Vaudeville. The cinematography is somewhat average, though, and the film feels a little flat at times. It is not perfect, but it is worth seeing for all and essential viewing for those interested in Russian film or montage.
  【SOURCE: http://www.imdb.com/title/tt0017128/ 】

联想蒙太奇 囚徒的喜悦

有别于爱森斯坦,普多夫金的影像更侧重于刻画人物。但过于正确的政治思想,未免是种遗憾...

世影史:改编自高尔基同名小说,影片非常成功地塑造出一个母亲的转变过程,从普通的自私妇女到投身革命,人物的性格刻画很有深度,也很丰满。但整部电影最成功的地方在于它的视觉表现力,也就是蒙太奇手法的精湛使用,在摄影构图上有匠心的设计,细节的描写更有神采飞扬的处理,还有大量隐喻和象征。

蒙太奇手法的精湛使用,在摄影构图上有匠心的设计,细节的描写更有神采飞扬的处理,还有大量的隐喻和象征手法的使用,如高举的红旗,冰河的解冻等场景,寓意深刻,充满抒情意味

8.2;形式完全服务于内容。母亲演的真好

仰拍和俯拍的运用,以此展现人物形象的变化。 1926,前苏联蒙太奇学派的勃兴,普多夫金的”抒情蒙太奇“

革命,总是伴随着牺牲!感动…

故事细腻、动人。标志着电影脱离了杂耍,为电影贡献了它所独有的新语言。

政治元素在一定程度上削弱了人物塑造

剪辑,摄影都不如爱森斯坦,摄影机基本没有运动,剪辑节奏较慢,最后越狱那场戏还不错,前面不够紧凑。最后镇压士兵奔马倒是运动起来了,可是母亲却是静止镜头,正常人的视觉更喜欢看运动的士兵。破冰一段蒙太奇还可以。

蒙太奇学派之诗意蒙太奇/联想蒙太奇经典。1968年修复版的配乐很精彩。感觉群众场面及配乐都影响到杨索的《红色赞美诗》(尤其马赛曲)。游行的段落颇具感染力,冰河解冻并非只是蒙太奇需求而且同时也是环境。旁支比较多(比如法庭戏里对资产阶级的描写)。大场面比较生硬。

诗意蒙太奇

8。普多联想蒙太奇,高潮总在结尾处,破冰沉凿见光明

蒙太奇。象征。最后一幕剪辑的很壮烈。

伍瑟沃罗德·普多夫金的代表作之一,改编自高尔基的同名小说,和《战舰波将金》一样是代表苏联蒙太奇学派探索成就的佳作之一。这部作品和普多夫金的另外两部代表作《圣彼得堡的末日》和《成吉思汗的后代》一样都是以“思想觉悟”作为共同的主题。苏联早期的默片都喜欢和历史事件联系上。

!!!!!!!!

蒙太奇的成就是非凡的

好不容易才从老师那里借的碟,怎么这么难看啊。闷死我了。

和爱森斯坦的冲突不同,普多夫金的蒙太奇在于镜头的组结,构成叙事,和格里菲斯他们是一类的,和普多夫金的现实主义相比,爱森斯坦和杜甫仁科他们更显得充满诗意

战斗格里菲斯

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