《来自列宁格勒的明信片 Postales de Leningrado》西瓜影音迅雷下载

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导读:2007年上映的云播观看《来自列宁格勒的明信片 Postales de Leningrado》出品的于整理收集编辑发布 截止今日2020-10-10,已有6人浏览并观看下载来自列宁格勒的明信片 Postales de Leningrado类型高清视频盗版来自列宁格勒的明信片 Postales de Leningrado版本,来自列宁格勒的明信片 Postales de Leningrado观看哪里看,在哪看来自列宁格勒的明信片 Postales de Leningrado在线视频,来自列宁格勒的明信片 Postales de Leningrado未删减版,来自列宁格勒的明信片 Postales de Leningrado集数百度云,来自列宁格勒的明信片 Postales de Leningrado网址,腾讯来自列宁格勒的明信片 Postales de Leningrado电脑版 抢先看,超清爱奇艺来自列宁格勒的明信片 Postales de Leningrado提取码。欢迎把《来自列宁格勒的明信片 Postales de Leningrado》网址推荐发送给西瓜影音,腾讯,爱奇艺,优酷,微信,微博的好友!谢谢!


导演: 玛丽安娜·隆顿
编剧: 玛丽安娜·隆顿
主演: Laureano Olivares / Greisy Mena / William Cifuentes
类型: 剧情
制片国家/地区: 委内瑞拉
语言: 西班牙语
上映日期: 2007-09-07(委内瑞拉)
片长: 90分钟
又名: Postcard From Leningrad
IMDb链接: tt1085491
2007来自列宁格勒的明信片的剧情简介······   08奥斯卡最佳外语片委内瑞拉参赛片。影片跟着两个小孩一起回到了上个世纪60年代的委内瑞拉,通过他们,我们看到这场残酷的内战和战争中生存着的人们。
  http://www.postalesdeleningrado.com/
  In her introduction, director Mariana Rondón thanked the countries of Venezuela and Peru for funding her film, then commented on how POSTCARDS FROM LENINGRAD was a singularly Venezuelan story. In 1960's Caracas, revolutionaries struggle against a political regime. Two c... (展开全部)   08奥斯卡最佳外语片委内瑞拉参赛片。影片跟着两个小孩一起回到了上个世纪60年代的委内瑞拉,通过他们,我们看到这场残酷的内战和战争中生存着的人们。
  http://www.postalesdeleningrado.com/
  In her introduction, director Mariana Rondón thanked the countries of Venezuela and Peru for funding her film, then commented on how POSTCARDS FROM LENINGRAD was a singularly Venezuelan story. In 1960's Caracas, revolutionaries struggle against a political regime. Two children tell stories of growing up with revolutionary parents through a lens of romance and innocence. Rondón wonderfully combines dramatic and comedic narrative storytelling; faux docementary; and comic book style hand-drawn animation over live action to tell this darkly funny, yet serious story of a very volatile time and culture. At first POSTCARDS FROM LENINGRAD was confusing; Rondón jumps around in time without warning, and the two children narrate their stories as if they were comic book characters. There is none of the political nuance to explain the whys of the conflict. Gradually however, the story becomes clear, peppered with fabulous sequences of the various characters lives. Family scenes around the Venzuelan New Year are lively and telling; especially when Teo, one of narrators' parents, returns home and is subsequently captured by the government and imprisoned. A sequence 2/3 of the way through the film, depicting a group of female, revolutionary, college students committing an act or defiance is perfectly executed in groovy, 60s style, bringing together split screens, animation, music and narration sublimely. Rondón is a talented filmmaker whose work deserves broader exposure.
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